Every emulsion I've shot — 10 different stocks and counting.
My most-used film and for good reason. Warm, forgiving, and affordable. Golden tones, natural skin, and just enough grain to feel like film. Works in most lighting conditions without drama — which is exactly why I keep reaching for it.
21 rollsRolls and sample photos →
Professional-grade color negative with incredible latitude. Neutral-to-warm tones and fine grain that holds up whether you over- or under-expose. The reliable choice when conditions are uncertain and I want something that delivers regardless.
12 rollsRolls and sample photos →
Affordable black and white with honest grain and solid contrast. Doesn't try to be Tri-X or HP5 — it has its own no-nonsense character. A good film for learning to see in grayscale without spending much.
8 rollsRolls and sample photos →
A classic black and white workhorse — wide exposure latitude, rich grain, and contrast that holds up pushed or pulled. Forgiving in mixed light, characterful enough to feel unmistakably Ilford.
3 rollsRolls and sample photos →
Kodak's consumer ISO 400. More saturated and contrasty than Portra — less polished, but with a certain energy to it. Good for shooting in unpredictable light when you want some punch without overthinking it.
3 rollsRolls and sample photos →
A discontinued Fuji consumer film. Cooler, more neutral tones compared to Gold 200. Subtle grain, a little flat without good light. One roll in — curious to shoot more before it disappears entirely.
2 rollsRolls and sample photos →
Cinema stock with the halation layer removed. Tungsten-balanced for artificial light, which shifts daylight toward the cold side. Those red halos bleeding from light sources? A signature, not a flaw.
1 rollRolls and sample photos →
Kodak's budget color film. Warm palette leaning toward yellows and reds, with a slight softness in the tones. Less refined than Gold 200 but with its own character — unpretentious and forgiving in decent light.
1 rollRolls and sample photos →
The finest-grain color negative film available. Saturated, vivid, almost slide-like in its color rendering. Rewards patience and good light; punishes exposure errors. Beautiful when it works.
1 rollRolls and sample photos →
The same Portra family pushed to 800. Fine grain for its speed, warm tones, and a grain structure that actually adds something at this sensitivity. For low light without sacrificing too much character.
1 rollRolls and sample photos →Film stocks I have not shot yet but want to load soon.
1HUNDRED Film
Pending — clean daylight test roll.
4HUNDRED Film
Pending — street and mixed light.
8HUNDRED Film
Pending — night and low-light scenes.
Harman Phoenix 200
Pending — curious about its color character.
Harman Phoenix II
Pending — side by side against Phoenix 200.
Ilford XP2 Super
Pending — first C-41 black and white test roll.
Harman Red 125
Pending — redscale look in daylight and sunset.
Fujichrome Velvia 100
Pending — high-saturation landscapes in direct light.
Fomapan 400
Pending — contrast and grain test against HP5.